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So should you. The film also features one of the best film scores ever, by Isaac Hayes. Why you need to see it: The entire film was written, directed, produced, scored — you name it — by Van Peebles; no studio would touch it, so he did it all himself.

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Most classic movies involve some kind of love story that's central the plot. Heck, even Hitchcock movies had their fair share of smoochin'. But after a long cinematic dry spell, it's safe to say the resurgence of rom-coms upon us, thanks to films like To All the Boys I've Loved Before and Crazy Rich Asians.

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Synopsis: When soldiers in World War I refuse to continue with an impossible attack, their superior officers decide to make an Synopsis: This landmark juvenile-delinquent drama scrupulously follows the classic theatrical disciplines, telling all within a hour period. Teenager Jimmy Stark James

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The parameters: 1 nothing before talkies and 2 nothing after This collection is sure to have you waxing nostalgic. Also: those costumes. A weird and wonderful odyssey that takes its sundry characters from a sepia-toned Kansas farm to a candy-colored Emerald City somewhere over the rainbow, Wizard flips that nostalgia switch, and thanks to its various airings on network TV around the holidays, its popularity shows no signs of fading.

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Classical Hollywood cinemaclassical Hollywood narrativethe Golden Age of HollywoodOld Hollywoodand classical continuity [4] are terms used in film criticism which designate both a narrative and visual style of film-making which developed in and characterized American cinema between the s rapidly after World War I [5] and the s, and eventually became the most powerful and pervasive style of film-making worldwide. For centuries, the only visual standard of narrative storytelling was the theatre. Since the first narrative films in the s, film-makers sought to capture the power of live theatre on the cinema screen.

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From the s to the early s, musicals dominated the big screen. Which is why a bulk of the earliest musicals were simple Broadway adaptations like Gold Diggers of Broadway and plotless song-and-dance productions like The Hollywood Revue of not to mention these mindless extravaganzas satisfied Depression-era audiences seeking escapist entertainment and thus turned a profit for studios. Soon, studios like MGM, which spearheaded the musical genre, found further success in backstage stories, ones that centered on the lives of the players when the curtains were down.

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Sign in. Passed 76 min Drama, Romance. An ambitious factory girl meets a handsome, wealthy lawyer, but he's interested in her as a mistress, not a wife.

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We still see the profound influence of WWII, we still see film noir and Westerns and the development of European neorealism. We also see the proliferation of color technology. There is also an emphasis on teen culture, perhaps best represented by the brief but meteoric career of James Dean. Television became mainstream, and Hollywood found itself with some stiff competition from the networks.

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The second World War was, of course, a heavy thread through the first half of the decade, providing fodder for stories on the one hand and on the other, a desire for the escapist balm of comedies and musicals. The s saw the emergence of the auteurfilmmaking led by the director as opposed to the writer. The s saw the rise of Technicolor but also of film noir with its dark, cynical, moody and fatalistic stories of hard-boiled detectives and treacherous women.

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